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Prey (2018) [N/A]

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Release Date:
October 19, 2018

Original Title:
Prey

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 20

A strange little film that get stranger and stranger

Overview from TheMovieDB

The film PREY is the personification of man's ability to opt for greed or conscious awareness of this fragile planet and all its inhabitants. Two hapless state employed worker's job is collecting the unfortunate wildlife's remains that have collided with man's motor machines. Longtime employee, Ed, knows how to monetize the dead animals collected off the road as well as exploit his fellow employees acting as a lone shark. Lars, the new guy, is full of compassion for the animals as well as for his fellow humans. The two share daily the confines of the cab of a state owned work truck; the close proximity results in conflicts escalating into the confrontational climax of the two diametrically opposed personalities. In the bizarre conclusion we see a rather nihilistic result that if we do not mend our way the result is not going to be pretty.

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Production

Assistant Camera:
Amy Bostwick

Associate Producer:
Bill Stitt

Camera Operator:
Larry Revene

Cinematography:
Larry Revene

Director:
Larry Revene

Editor:
Larry Revene

Producer:
Larry Revene

Props:
Joe Broyles

Writer:
Larry Revene

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.