A work in constant progress (and occasional regress).
Release Date:
May 23, 1978
Original Title:
Printer Light Play
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 6
One of the main “mysteries” of working with the lab involves grading the print: adjusting or “correcting” the color balance for overexposures, underexposures, or unwanted color shifts in the original. Grading is done by adding or removing degrees of red, green, or blue light on the copier: the standard setting for an average exposure in our lab is 30 Red, 30 Green, and 30 Blue. Filmmakers often leave this work to the lab technician, and they only have a general understanding of the process. In our case, we wanted to use this film to learn more about it. We filmed a scene, under the light, of our son Ivor holding a Kodak Colour Patch Card (a male version of the "Kodak Lady" often spliced for quality control purposes on a print). This normally exposed scene is subject to a range of 84 different print light settings out of 132,651 possible combinations. The soundtrack consists of a voice announcing the print light variations used. (Arthur Cantrill & Corinne Cantrill)
Director:
Arthur Cantrill
Corinne Cantrill
Director of Photography:
Arthur Cantrill
Corinne Cantrill
Editor:
Arthur Cantrill
Corinne Cantrill
Sound:
Arthur Cantrill
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.