A work in constant progress (and occasional regress).
Original Title:
Backseat Of The Couch
Genres:
Comedy | Drama
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 40
Backseat of the Couch follows four young artists navigating identity, ambition, and community in NYC. Sofie, an underground club dancer, drifts through fleeting nights. Anthony, a Black club kid battling an eating disorder, gives too much to his friends. Clyde, a lonely emo skater, searches for belonging. Vivienne, a trans actress, is manipulated by a predatory coach. A follow-up to Trial Period, Kiernan “Knives” Francis’ film shifts from club chaos to quiet introspection, capturing the raw, in-between moments of youth. Blending mumblecore and New Queer Cinema, it features first-time actors, a Midwest emo-infused soundtrack, and an unfiltered look at finding connection in a city that never stops moving.
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Assistant Camera:
Adriene Klein
Marissa Rubio
Julian Foy
Assistant Sound Engineer:
Leslie Dincecco
Associate Producer:
David Valentine
Best Boy Grip:
Boy Ranken
Casting Director:
Kiernan Francis
Consulting Producer:
Tommy Carter
Costume Designer:
Lourdes Salazar Castillo
Craft Service:
Eli Gutierrez
Director:
Kiernan Francis
Director of Photography:
Jake Bassler
Editor:
Ruby Kline
Gaffer:
Leander Capuozzo
Producer:
Ruby Kline
Production Assistant:
Kemi Star Alade
Vivienne Mount
Grant Owens
Richard Simon
Production Designer:
Ilayda Celik
Production Sound Mixer:
Trevor Rivkin
Props:
Luca Rekosh
Set Designer:
Macie O'Neil
Still Photographer:
Kate Vitali
Wardrobe Assistant:
Noa Villarin
Jeheli Odidi
Willa Schwabsky
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.