A work in constant progress (and occasional regress).
Release Date:
August 24, 1968
Original Title:
Una pistola per cento bare
Alternate Titles:
A Gun for 100 Graves
Ein Colt für 100 Särge
La malle de San Antonio
Pistol for 100 Coffins
Pistol for a Hundred Coffins
Una pistola per 100 bare
Genres:
Western
Production Companies:
Copercines
Tritone Cinematografica
Production Countries:
Italy | Spain
Ratings / Certifications:
DE: 18
Runtime: 81
At the end of the Civil War, Jim Slade, a young confederate soldier and conscientious objector, returns to his ranch to find his parents murdered and the ranch practically destroyed. He finds and kills three of the murderers and learns the name of the fourth, a certain Corbett. Finally he discovers Corbett as the leader of a gang that has plans to rob a local bank and is invited to help defend the town from the bandits. Teaming with a preacher, who has an agenda of his own, the two take a stand against Corbett.
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Assistant Camera:
Renato Doria
Assistant Makeup Artist:
Maurizio Trani
Camera Operator:
Raúl Pérez Cubero
Costume Design:
Walter Patriarca
Director:
Umberto Lenzi
Director of Photography:
Alejandro Ulloa
Editor:
Daniele Alabiso
First Assistant Director:
Francisco Ariza
Hairstylist:
Marisa Laganga
Makeup Artist:
Vicente Vázquez
Raul Ranieri
Original Music Composer:
Angelo Francesco Lavagnino
Producer:
Salvatore Alabiso
Production Design:
Saverio D'Eugenio
Production Manager:
Averoe Stefani
Production Secretary:
Lamberto Andreani
Ignacio Gutiérrez
Screenplay:
Marco Leto
Umberto Lenzi
Script Supervisor:
Roberto Giandalia
Set Decoration:
Jaime Pérez Cubero
José Luis Galicia
Sound:
Pietro Spadoni
Still Photographer:
Francesco Narducci
Miguel Guzmán
Story:
Eduardo Manzanos
Unit Manager:
Fernando Rossi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.