A work in constant progress (and occasional regress).
Release Date:
March 12, 2025
Original Title:
Mother's Letter
Ratings / Certifications:
N/A
Runtime: 24
In Mother’s Letter, Sylvia Schedelbauer evokes her mother’s perspective. Drawing from her family archive, the film addresses the complexities of the mother-daughter relationship, often defined by unspoken tensions and unresolved histories. These dynamics are further explored within the context of mixed heritage between Japan and Germany, where differing life experiences shape their connection. These complexities unfold through a delicate interplay of fragmented images, archival material, and evocative soundscapes. Schedelbauer’s distinct formal approach, a meticulous choreography of light, texture, and rhythm, invites the viewer into the layered emotional terrain of their relationship, which, like personal history and cultural identity, is shaped by time and memory.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.