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Ella Enchanted (2004) [PG]

Release Date:
April 9, 2004

Original Title:
Ella Enchanted

Alternate Titles:
Ella - Den förtrollade
Ella Encantada
Ella Verflixt Und Zauberhaft
Ella l'ensorcellée
Princess Ella
Uma Garota Encantada
麻辣公主

Genres:
Comedy | Family | Fantasy

Production Companies:
Enchanted Productions
World 2000 Entertainment

Production Countries:
Ireland | United Kingdom

Ratings / Certifications:
AU: PG  BE: 6  BR: L  CZ: PG  ES: APTA  FR: U  GB: PG  HU: 6  IE: PG  JP: G  LT: N-7  NL: 6  PT: M/6  RO: AP  SE: 7  US: PG 

Runtime: 96

Get enchanted

Overview from TheMovieDB

Ella lives in a magical world in which each child, at the moment of their birth, is given a virtuous "gift" from a fairy godmother. Ella's so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey to find her fairy godmother who she hopes will lift the curse. The path, however, isn't easy -- Ella must outwit a slew of unpleasant obstacles including ogres, giants, wicked stepsisters, elves and Prince Charmont's evil uncle, who wants to take over the crown and rule the kingdom.

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Performers

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Production

Additional Music:
Shaun Davey

Art Direction:
Matthew Gray
Anna Rackard

Assistant Art Director:
Colman Corish

Assistant Sound Editor:
Patrick Cutliffe
Brendan Geaney

Book:
Gail Carson Levine

Boom Operator:
Noel Quinn

Camera Operator:
Alastair Rae
Ciarán Barry

Casting:
Susie Figgis

Casting Assistant:
Rebecca Roper

Choreographer:
Bruno Tonioli

Co-Producer:
Susan Miller Lazar
Morgan O'Sullivan
James Flynn

Color Timer:
Mike Stanwick

Costume Design:
Ruth Myers

Dialogue Editor:
Sarah Gaines

Digital Compositor:
Jeremy Hattingh
John Slattery

Director:
Tommy O'Haver

Director of Photography:
John de Borman

Editor:
Masahiro Hirakubo

Executive In Charge Of Post Production:
Jennifer Lane

Executive Music Producer:
Randy Spendlove

Executive Producer:
Bob Weinstein
Harvey Weinstein
Julie Goldstein
Su Armstrong

Fight Choreographer:
Ron Yuan
Roger Yuan

First Assistant Director:
David Daniels

First Assistant Editor:
Neil Williams

First Assistant Sound Editor:
Hugo Monks

Foley:
Caoimhe Doyle

Foley Editor:
Anthony Litton

Gaffer:
Louis Conroy

Hair Department Head:
Dee Corcoran

Hairstylist:
Eileen Buggy

Location Manager:
Manus Hingerty

Makeup Department Head:
Sallie Jaye

Original Music Composer:
Nick Glennie-Smith

Post Production Supervisor:
Richard Lloyd

Producer:
David Parfitt
Jane Startz

Production Accountant:
Maggie Phelan

Production Coordinator:
Rachel Smith

Production Design:
Norman Garwood

Production Sound Mixer:
Kieran Horgan

Property Master:
Paul Hedges

Prosthetic Makeup Artist:
Barrie Gower

Publicist:
Gerry Lundberg

Rigging Gaffer:
Noel Cullen

Screenplay:
Laurie Craig
Karen McCullah
Kirsten Smith
Jennifer Heath
Michele J. Wolff

Script Supervisor:
Jean Bourne

Seamstress:
Ann Cartwright

Second Assistant Director:
Karen Richards

Set Decoration:
Maggie Gray

Sound Effects Editor:
Jon Stevenson

Sound Re-Recording Mixer:
John Fitzgerald
Tom Johnson

Steadicam Operator:
Alastair Rae

Still Photographer:
David Appleby

Storyboard:
Martin Asbury
Stephen Daly

Stunt Coordinator:
Paul Jennings

Stunt Double:
Dominic Preece
Bean Peel
Amanda Foster
Phil Lonergan
Martin Grace
Nikki Powell
Rowley Irlam

Stunts:
Sophia M. Crawford
Giedrius Nagys
Rowley Irlam
Dominick Hewitt
Rob Inch
Richard Dwyer
Philippe Zone

Supervising Art Director:
Lucy Richardson

Supervising Music Editor:
Michael Connell

Third Assistant Director:
Raymond Kirk

Transportation Captain:
Eamonn Murphy

Unit Production Manager:
Mary Alleguen

Visual Effects Coordinator:
Clare Longhurst

Visual Effects Designer:
Angus Bickerton

Visual Effects Editor:
Kevin Ahern

Visual Effects Producer:
Barrie Hemsley

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.