A work in constant progress (and occasional regress).
Release Date:
April 2, 2025
Original Title:
세븐틴 [라잇 히어] 월드 투어 인 시네마
Alternate Titles:
세븐틴 [라잇 히어] 월드 투어
Genres:
Documentary | Music
Production Companies:
CJ 4DFLEX
HYBE
ScreenX Studio
Production Countries:
South Korea
Ratings / Certifications:
KR: ALL NZ: G
Runtime: 132
Experience the unforgettable moments of SEVENTEEN [RIGHT HERE] WORLD TOUR on the big screen, starting with the electrifying kickoff concert in Goyang! From the special concert version of "Fear" to exclusive live performances of "LOVE, MONEY, FAME (feat. DJ Khaled)" and "Ash", the full setlist — available only at the concert — will be screened in its entirety! Get ready to be immersed in the dynamic charm of SEVENTEEN’s three iconic units — Hip-hop Unit, Performance Unit, and Vocal Unit — as well as a thrilling relay of their biggest title tracks, showcasing SEVENTEEN’s A to Z!
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.