A work in constant progress (and occasional regress).
Release Date:
March 11, 2025
Original Title:
Os Últimos Cedros
Production Companies:
Índice Filmes
Ratings / Certifications:
BR: 10
Runtime: 24
Tarek is a sixty-year-old owner of a run-down barber shop. After being diagnosed with advanced Parkinson's, he must decide what to do while securing help for his friends in Beirut.
Art Department Assistant:
Bruna Drozda
Christopher López
Luana Narciso
Margareth Johansen Borges
Art Direction:
Jojo Forbeck
Assistant Camera:
Luiz Guilherme de Oliveira
Assistant Director:
Alexy Salustiano
Fábbio Novelli
Bruna Schmitt
Boom Operator:
Andey Alves
Bryan Lander
Lorenzzo H. P. Gusso
Camera Operator:
Diego Bernieri
Casting Director:
Hique Veiga
Casting Producer:
Analú Arreguï
Maju Izar
Clapper Loader:
Bruna Drozda
Oliver S. Nascimento
Color Grading:
Diego Bernieri
Continuity:
Carlos M. Fernandes
Matheus Souza
Data Wrangler:
Gabriel Reis
Director:
Rafael Farhat
Director of Photography:
Matheus "Bigode" Americo
Editor:
Gabriel Reis
Electrician:
Inrie Maturano
Luis Felipe Canepa
Executive Producer:
Luiz Henrique M. Silva
Vanessa Porto
Rafael Farhat
Gabriel Reis
Focus Puller:
Brenda Olga
Talita Pego
Foley:
Vinícius Doca
Gaffer:
Christopher López
Diego Bernieri
Graphic Designer:
Higor Felp
Location Sound Recordist:
Marcos Cavalheiro
Machinist:
Inrie Maturano
Luis Felipe Canepa
Original Music Composer:
Lucas Soares
Production Assistant:
Carlos M. Fernandes
Analú Arreguï
Production Director:
Luanna Oliveira
Sound Editor:
Vinícius Doca
Sound Mixer:
Vinícius Doca
Still Photographer:
Inrie Maturano
Júlia Feldmann Uhry Reis
Lorenzzo H. P. Gusso
Translator:
Irwing Dandine Delgado
Writer:
Gabriel Reis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.