A work in constant progress (and occasional regress).
Release Date:
March 3, 2025
Original Title:
Segregats
Genres:
Drama | Romance
Production Companies:
Escuela de Imagen y Sonido CEF
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 7
Mateu and Gabriel reunite at a train station before saying goodbye. But this farewell turns into an argument where Mateu refuses to accept that Gabriel does not want to prioritize their relationship or his roots.
Art Department Assistant:
Jorge López
Cristina Yuquilema
Art Direction:
Mathilde Tonn-Petersen
Assistant Director:
Carlota Ferrando
BTS Photographer:
Helena India
Best Boy Electric:
Carme Gelabert Conesa
Boom Operator:
Matías Espinoza
Ángel Jiménez
Asier Moreno
Gemma Llull
Lucía Gómez
Joel Jiménez
Camera Operator:
Mariona Pons
Jaume Gómez
Camera Supervisor:
Jaume Gómez
Mariona Pons
Data Wrangler:
Candela Benedetta
Director:
Pau Gelabert Juan
Director of Photography:
Kevin Ruiz
Electrician:
Carla López
Focus Puller:
Nicolás Sales
Gaffer:
Pablo Morell
Key Grip:
Alfons Ruiz
Location Manager:
Camilo Mayo
Makeup & Hair:
Silvia Noguera
Producer:
Mayo Mora
Irene Aguiló Velasco
Álvaro F. de Miguel
Miguel J. Rosselló
Albert Borrás Serra
Jaume Tortella
Paula Llabrés
Production Assistant:
Álvaro Fernández
Paula Llabrés
Miguel J. Rosselló
Production Director:
Albert Borrás Serra
Production Manager:
Jaume Tortella
Irene Aguiló Velasco
Script:
Aina Delgado Martin
Second Assistant Director:
Camilo Pérez
Sound Designer:
Agustín Risco
Manuel Galmés
Jorge Fernández
Melcion Vives
Hamza Alimouch Rodríguez
Joan Francesc Mesquida
Video Assist Operator:
Carla Ripoll
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.