A work in constant progress (and occasional regress).
Original Title:
Dragging the Chain
Genres:
Drama | Thriller
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 15
While on the run, a young woman finds herself stranded at a mysterious, isolated petrol station. Haunted by her memories and a sinister stranger, she must confront the dark truths she’s been running from before they consume her completely.
Art Department Assistant:
Fon Simpson
Alina Janson
Ausin Frape
Assistant Director:
Kate Larmer
Boom Operator:
Aidyn Davis
Colorist:
Riley Scott
Costume Designer:
Ruby Tala-Cunningham
Director:
Virginia Blackwell
Director of Photography:
Riley Scott
Drone Operator:
Glenn Wilson
Editor:
Billie Lambert-Stockman
Editorial Production Assistant:
Charles Li
Executive Producer:
Kate Owen
Virginia Blackwell
First Assistant Camera:
Ella Burton
Foley Artist:
Paddy Maddern
Gaffer:
Daniel Ross
Blake Stringer
Graphic Designer:
Sybella Schumacher
Halle Blackwell
Grip:
Brode Foscaro
Hair Designer:
Adele Shearwin
Lighting Production Assistant:
Tatiana Goode
Zac Steele
Makeup Designer:
Adele Shearwin
Music Producer:
Byron Kastelic
Music Supervisor:
Cameron Blackwell
Musician:
Byron Kastelic
Cameron Blackwell
Oscar Sarre
Post Production Supervisor:
Jasmin Watkins
Producer:
Madison Siegertsz
Production Assistant:
Halle Blackwell
David Blackwell
Production Design:
Riley Fraser-Waters
Script Supervisor:
Ruby Tala-Cunningham
Second Assistant Camera:
Brode Foscaro
Set Decoration:
Jada Zilm
Megan Oxenham
Kate Vollebregt
Sound Designer:
Olivia Aquilina
Sound Recordist:
Oliver McLoughlin
Unit Manager:
Jasmin Watkins
VFX Supervisor:
Ken Mai
Writer:
Virginia Blackwell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.