A work in constant progress (and occasional regress).
Release Date:
February 26, 2025
Original Title:
La Espera
Genres:
Drama | Family | Fantasy
Production Companies:
Universidad Iberoamericana (UNIBE)
Production Countries:
Dominican Republic
Ratings / Certifications:
N/A
Runtime: 17
A future father struggles with the ghosts of his past as he tries to reconnect with his absent father, unleashing disturbing nightmares that force him to confront his insecurities about parenthood.
Animation:
Ámbar Lugo
Jim Hernández Rosario
Art Department Assistant:
Ismael Nolasco
Martha Cabrera
Alomdra Batista
Art Direction:
Edyluz Pozo
Casting:
Leslie Rodríguez
Colorist:
POSTEO FILMS
Compositor:
Arismendy Hernández
Costume Assistant:
Gabriela Nuñez
Costume Designer:
Simón Lopez
Data Wrangler:
Unai Ochoa
Paul Cruz
Director:
Briana de Coo
Director of Photography:
Ándres Miolán
Editor:
Isaac Santana
First Assistant Camera:
Erick Olivo
First Assistant Director:
Dorca Jiménez
Gaffer:
Mikejael Castro
Graphic Designer:
Cindy Toribio
Lesly Quevedo
Grip:
Daniel de Jesús
Jesús Villanueva
Makeup & Hair:
Liz Sharlene
Makeup & Hair Assistant:
Dianna Suarez
Post Production Supervisor:
Briana de Coo
Producer:
María Catheline Dumé
Producer's Assistant:
Sara Brunacci
Ysabella Troncoso
Production Design:
Liza Sánchez
Props:
Ruth Reyes
Second Assistant Camera:
Napoleon Núñez
Second Assistant Director:
Diego Duran
Set Dresser:
Antonio Jiménez (Diógenes)
Sound:
Claudio Rafael De Los Santos
Sound Assistant:
Jojo Abreu
Sound Mixer:
Isaac Santana
Sound Recordist:
Lia Ferrua
Special Effects Key Makeup Artist:
Shantalle Hungría
Third Assistant Camera:
Johari Acosta
Title Graphics:
Briana de Coo
Writer:
Briana de Coo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.