A work in constant progress (and occasional regress).
Release Date:
October 1, 2011
Original Title:
Seeing in the Dark
Genres:
Drama
Ratings / Certifications:
N/A
Runtime: 12
Weaves the tale of paroled prisoner Clayton Sykora's first day as a free man; it is a story of longing to belong while knowing you're not welcome to stay.
Background Casting Director:
Wayne Slinn
Best Boy Grip:
Gabriel Boyko
Boom Operator:
David Oliver
Camera Operator:
Colin Hubick
Casting:
Carmen Kotyk
Colorist:
Jack Tunnicliffe
Costume Designer:
Nadia Williamson
Director:
Helen Hatzis
David Cormican
Director of Photography:
Colin Hubick
Editor:
Laurence Cohen
Emily Chiu
Executive Producer:
David Cormican
First Assistant Camera:
Yvonne Abusow
First Assistant Director:
Daniel Redenbach
Foley Artist:
Willem Schonken
Foley Recordist:
Willem Schonken
Gaffer:
Ben Schubert
Key Grip:
John Bjerke
Key Hair Stylist:
Kaitlyn Rae McMillan
Key Makeup Artist:
Kaitlyn Rae McMillan
Location Manager:
Danielle Masters
Music:
Yaakov Gruzman
Online Editor:
Trevor Bennett
Picture Car Coordinator:
Kevin Fyhn
Post Production Coordinator:
Karen Plumb
Joan Speirs
Producer:
David Cormican
Production Accountant:
Kari Fonkalsrud
Production Assistant:
Gabriel Boyko
Production Manager:
Danielle Masters
Sound Editor:
Willem Schonken
Sound Supervisor:
Rob Bryanton
Visual Effects:
Jack Tunnicliffe
Visual Effects Compositor:
Laurence Cohen
Writer:
Gordon Pengilly
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.