A work in constant progress (and occasional regress).
Release Date:
December 7, 1967
Original Title:
Professionisti per un massacro
Alternate Titles:
Professionals for a Massacre
Red Blood Yellow Gold
Genres:
Western
Production Companies:
Balcázar
Colt Produzioni Cinematografiche
Medusa Distribuzione
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 91
Caught selling stolen guns, three Confederate soldiers get a reprieve from the firing squad, provided they go into Mexico on a mission to recover stolen gold belonging to the Confederacy.
Assistant Camera:
Francisco Marín Jr.
Camera Operator:
Joe D'Amato
Costume Design:
Carlo Gentili
Director:
Nando Cicero
Director of Photography:
Francisco Marín
Editor:
Teresa Alcocer
Renato Cinquini
First Assistant Director:
Stefano Rolla
Federico Canudas
Hairstylist:
Lina Cassini
Hipólita López
Line Producer:
Sergio Borelli
Makeup Artist:
Sergio Angeloni
Adrián Jaramillo
Original Music Composer:
Carlos Pes
Producer:
Oreste Coltellacci
Production Design:
Juan Alberto Soler
Production Manager:
Jenis Rodriguez
Production Secretary:
Lamberto Palmieri
Screenplay:
Jaime Jesús Balcázar
Roberto Gianviti
Enzo Dell'Aquila
José Antonio de la Loma
Sound:
Umberto Picistrelli
Still Photographer:
Máximo López
Story:
Roberto Gianviti
Jaime Jesús Balcázar
Enzo Dell'Aquila
José Antonio de la Loma
Unit Manager:
Salvatore Scarfone
Enrique Uviedo
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.