A work in constant progress (and occasional regress).
Release Date:
May 1, 2025
Original Title:
Bajotecho
Production Companies:
Limite
Ratings / Certifications:
N/A
Under the roofs (Bajotecho) is a miniseries that tells, in an autofictional way and using resources from both nonfiction and fiction films, the testimonies of three people who have suffered, in one way or another, problems with their housing. It is three separate chapters, which tell the story of Isabel, who lived in a foster home run by the Catholic Church; Josefi, Juan and Chari, who have suffered from abusive mortgage clauses and evictions; and Marc, a young squatter who lives in a self-managed squatter social center located in a building owned by a private bank. These stories converge at the end, where the boundaries between reality and fiction are blurred.
Assistant Camera:
Daniel Díaz Sánchez
Daniel Moreno
Ainhoa Carnicero
Silvia G. Vargas
Inés Montero
Camera Operator:
Álvaro León Cobo
Juan Carlos Iglesias Francés
Violeta Bernal
Adriana López
Color Grading:
Álvaro León Cobo
Director:
María Gómez Bellido
Alejandro Mateos
Director of Photography:
Álvaro León Cobo
Editor:
Alejandro Mateos
María Gómez Bellido
Gaffer:
Alejandro Mateos
Juan Carlos Iglesias Francés
Virginia Tinoco
Original Music Composer:
Pedro Fernández
Cuñados invisibles
Pedro Gondi
Production Director:
Alejandro Mateos
María Gómez Bellido
Production Office Coordinator:
Julia Mojarro
Screenplay:
María Gómez Bellido
Alejandro Mateos
Isabel Fernández
Josefi Medero
Juan Casanova
Rosario Fernández
Marc del Cid
Script:
Julia Balbuena
Julia Mojarro
Silvia G. Vargas
María Gómez Bellido
Sound Director:
Pablo Rivas
Ana Pozas
María Gómez Bellido
Silvia G. Vargas
Sound Editor:
María Gómez Bellido
Still Photographer:
Ainhoa Carnicero
Paula Fernández
Inés Montero
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.