A work in constant progress (and occasional regress).
Release Date:
January 22, 2025
Original Title:
Das falsche Versprechen vom Aufstieg
Alternate Titles:
Das falsche Versprechen vom Aufstieg - You Can Win If You Want?
Das falsche Versprechen vom Aufstieg: You can win if you want?
You Can Win If You Want? Das falsche Versprechen vom Aufstieg
Genres:
Documentary | TV Movie
Production Companies:
Hoferichter & Jacobs
MDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 90
Origin sticks like shit to your shoe! That's what Marlen Hobrack says, who grew up as a working-class child in Bautzen. But the promise of the old Federal Republic was that you can become anything if you just try hard enough. But that no longer applies. So is class in Germany fixed from birth? Have we long been living in a country in which origin and family background are more important for future prospects than individual performance and commitment? In Germany, it takes six generations to rise from poverty to the middle class, in Denmark only two generations. Those affected reflect on their life stories, the burden of their social origins, the wrong and right turning points for social advancement, as classified by social researchers. They talk of pride and shame, of financial hardship and wealth, of origin and future, of growing up and moving up in this Germany with its entrenched selection mechanisms for social advancement.
Animation:
Sebastian Peuker
Dirk Schneider
Ekin Akalin
Assistant Editor:
Simon Rüger-Fader
Commissioning Editor:
Ina-Katrin Hüttig
Anaïs Roth
Director:
Dirk Schneider
Ariane Riecker
Director of Photography:
Thomas Keffel
Lars Langer
Daniel Liepke
Editor:
Ferenc Stobäus
Anika Wiegert
Graphic Designer:
Ekin Akalin
Sebastian Peuker
Dirk Schneider
Producer:
Michael Schönherr
Production Manager:
Anna Ivannikova
Evelyn Wenzel
Researcher:
Caspar Leder
Sound:
Tino Häusler
Ullrich Menges
Sound Re-Recording Mixer:
Marcus Wilhelm
Writer:
Dirk Schneider
Ariane Riecker
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.