A work in constant progress (and occasional regress).
Release Date:
April 29, 1930
Original Title:
All Quiet on the Western Front
Alternate Titles:
A Oeste Nada de Novo
All Quiet on the Western Front
All'ovest niente di nuovo
Garp Cephesinde Yeni Bir Sey Yok
Im Westen nichts Neues
Intet nyt fra vestfronten
Intet nytt fra Vestfronten
Länsirintamalta ei mitään uutta
Na Zachodzie bez zmian
Na zapadnom fronte bez peremen
Na zapadu nista novo
Na zapadu ništa novo
Na západní fronte klid
Nada de Novo no Front
Nimic nou pe frontul de vest
Nyugaton a helyzet változatlan
Ouden neoteron apo to dytikon metopon
På västfronten intet nytt
Seibu sensen ijo nashi
Sin novedad en el frente
Vakaru fronte nieko nauja
Vakaru fronte nieko naujo
Van het westelijk front geen nieuws
À l'Ouest, rien de nouveau
À l'ouest rien de nouveau
Ουδέν Νεότερο από το Δυτικό Μέτωπο
Ουδέν νεώτερον από το δυτικό μέτωπο
На западния фронт нищо ново
На западном фронте без перемен
На захiдному фронтi без змiн
西線無戰事
서부 전선 이상 없다
Genres:
Drama | War
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 12 DE: 12 ES: 12 FI: K-16 FR: 12 GB: PG IE: PG NL: 16 PT: M/12 SE: 15 US: NR
Runtime: 133
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
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1998 #54 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2008 #7 |
Top 10: EPIC
10 Greatest EPIC Films of All Time |
Adaptation:
Maxwell Anderson
Del Andrews
Art Direction:
Charles D. Hall
William R. Schmidt
Assistant Director:
Nate Watt
Director:
Lewis Milestone
Director of Photography:
Arthur Edeson
Karl Freund
Editor:
Milton Carruth
Edgar Adams
Music:
David Broekman
Music Supervisor:
David Broekman
Novel:
Erich Maria Remarque
Presenter:
Carl Laemmle
Producer:
Carl Laemmle Jr.
Recording Supervision:
C. Roy Hunter
Screenplay:
George Abbott
Supervising Film Editor:
Maurice Pivar
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.