A work in constant progress (and occasional regress).
Release Date:
May 1, 2024
Original Title:
Die Milliarden der Anderen
Alternate Titles:
Die Milliarden der Anderen - Ostdeutschland. Kapitalismus ohne Kapital?
MDR Dok: Die Milliarden der Anderen
Genres:
Documentary | TV Movie
Production Companies:
Hoferichter & Jacobs
MDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 90
The market regulates everything! Diligence and work create prosperity! Capitalism needs growth! What is the truth behind the great principles of capitalism? And how do they work in Eastern Germany - a region that has been a capitalist test laboratory for around 30 years? It is symbolic of various places in the world that are going through similar processes. Renowned economic experts answer questions. How does a large-scale settlement of a global corporation like DHL take place and what must politics make possible for this? What happens when investors pour around a billion euros into one of the largest real estate projects in Europe in the Baltic Sea resort of Binz (Prora) on the Island of Rügen and no place is created that is worth living in? And how are the people in places like Zeitz, which capitalism has obviously forgotten? The film takes you through various stations, through the strongholds of Eastern German capitalism and the places where capitalism has not yet arrived.
Assistant Director:
Benjamin Benjo Lange
Color Grading:
Christoph Sturm
Commissioning Editor:
Silke Heinz
Costume Design:
Wiebke Christin Lebus
Director:
Christoph Eder
Tom Fröhlich
Director of Photography:
Mitja Hagelüken
Philipp Baben der Erde
Editor:
Adrienne Hudson
Stefanie Kosik
Martin Menzel
Gaffer:
Yassin Khateeb
Graphic Designer:
Sebastian Peuker
Makeup Designer:
Sarah Te Laak
Producer:
Michael Schönherr
Olaf Jacobs
Production Design:
Mandy Peterat
Production Manager:
Sabrina Volkmer
Frank Seidel
Sound:
Dennis Streckfuß
Johann Niegl
Sound Re-Recording Mixer:
Urs Hauck
Unit Manager:
Maria Lan Duong
Writer:
Christoph Eder
Tom Fröhlich
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.