Home

Each Evening at Eleven (1969) [N/A]

Release Date:
September 22, 1969

Original Title:
Каждый вечер в одиннадцать

Alternate Titles:
Chaque soir à onze heures
Co wieczór o jedenastej
Jeden Abend um 11
Én, te és a telefon

Genres:
Romance

Production Companies:
Mosfilm

Production Countries:
Soviet Union

Ratings / Certifications:
 N/A

Runtime: 79

Overview from TheMovieDB

One evening, in the company of his friends, the bachelor Stas for the sake of entertainment called the number, the numbers of which were called by his friends, putting a comic condition: “If a woman answers, you marry her.” A really pleasant female voice responded. Stas didn't dare to admit his company in this, again wanted to hear it, but couldn't remember the phone number. Then he asked everyone to remember their number. Having got acquainted with Lyudmila, Stas realizes that she is the woman of his dreams.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Cinematography:
Anatoly Petritsky

Costume Design:
Roza Satunovskaya

Director:
Samson Samsonov

Editor:
Lidiya Lysenkova

Music:
Eduard Artemyev

Production Design:
Irina Lukashevich

Sound:
Leonid Bulgakov

Story:
Anar Rzayev

Writer:
Edvard Radzinsky

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.