A work in constant progress (and occasional regress).
Release Date:
February 4, 2025
Original Title:
Desafinadas
Production Countries:
Portugal
Ratings / Certifications:
N/A
Runtime: 17
Marta, feeling estranged from Isa, her older sister, tries to get closer, but is devalued. To retaliate and get the attention she needs, she plays the cello intensely, distracting Isa to the point of ruining her photography project.
Art Department Assistant:
Inês Coelho
Helen Barrocas
Afonso Pescada
Pablo Dias Gomes
Carolina da Cunha Rodrigues
Clara Vieira
Art Direction:
Margarida Afonso Moreira
Assistant Editor:
Afonso Pescada
Camera Operator:
João Rebocho
Chief Lighting Technician:
Afonso Stichini
Colorist:
Mariana Martins
Construction Coordinator:
Baltasar Cruz
Continuity:
Bruno D'Azar
Costume Coordinator:
Sofia Rebelo
Data Wrangler:
Catarina Ribeiro
Director:
Mads Varandas
Director of Photography:
Vasco Morais
Editor:
Matheus Damasceno
Electrician:
Tomás Veríssimo
Francisco João
Ana Rita Barata
First Assistant Camera:
Mariana Martins
First Assistant Director:
Eliana Farinha
Grip:
Diogo Lopes
Key Grip:
Miriam Carlos
Makeup Designer:
Maria de Oliveira Antunes
Post Production Supervisor:
Sofia Rebelo
Production Assistant:
Catarina Ribeiro
Raquel Vargas
André Lima
Thiago Marcelino
Clara Abreu
Matheus Damasceno
Tomás Santos
Dinis Reis
João André Silva
Production Coordinator:
Raquel Porfírio
Production Director:
Jordão Lima
Second Assistant Camera:
Ana Fiúza
Second Assistant Director:
Beatriz Oliveira
Sound Assistant:
Rafael Sousa
Helen Barrocas
Rodrigo Rosário
Mariana Santos
Raquel Vargas
Sound Director:
José Mendes
Still Photographer:
Ana Pereira
Third Assistant Director:
Duarte Rita
Writer:
Ana Rita Barata
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.