A work in constant progress (and occasional regress).
Release Date:
April 26, 2024
Original Title:
After Algos
Alternate Titles:
[After Algos]
Genres:
Science Fiction
Ratings / Certifications:
N/A
Runtime: 20
[After Algos] tells the story of Dr. Richter, a half-crazy, half-genius young scientist whose invention has the ability to transfer pain from one person to another. Though his intentions are good, he is blinded by passion and he is imprisoned for unethical experimentation. While Richter languishes in prison, the Algos becomes a commercialized product, turning into a symbol of greed and class disparity. What begins as a project with a mission to bring relief to humanity quickly descends into madness. This film will leave viewers in disarray, questioning modern day society and the limits of human compassion.
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Boom Operator:
Yuhyeon Kim
Camera Operator:
Alex Gallegos
Joseph Rund
Adam Bramowicz
Levanté Davenport
Casting Director:
Camila Rodriguez
Co-Producer:
Alex Gallegos
Director:
Baiwen Xu
Director of Photography:
Baiwen Xu
Tim Hartin
Editor:
Baiwen Xu
Daniel Zhang
Executive Producer:
Rishi Patel
First Assistant Camera:
Gavin Schroeder
Grip:
Joseph Rund
Key Hair Stylist:
Makayla Carson
Key Makeup Artist:
Makayla Carson
Music:
Ranon Herman
Producer:
Laura Pils
Production Assistant:
Deepak Subramian
Geo Boyle
Prop Designer:
Joseph Rund
Marta Kalfas
Props:
Ciara Kenny
Script Supervisor:
Marta Kalfas
Second Assistant Camera:
Anna Zellak
Deepak Subramian
Set Designer:
Joseph Rund
Marta Kalfas
Sound Designer:
Alex L. Price
Aaqil Abdullah
Sound Engineer:
Ranon Herman
Sound Mixer:
Alex L. Price
VFX Supervisor:
Daniel Zhang
Writer:
Rishi Patel
Anna Zellak
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.