A work in constant progress (and occasional regress).
Release Date:
January 1, 2021
Original Title:
Melody
Genres:
Drama | Romance
Production Companies:
47 Motion Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 77
Saul Sinclaire is a divorced musician that has experienced some success as a commercial composer. His life is interrupted when a 20-year-old package mysteriously shows up on his doorstep. The completely unexpected delivery is from his very first love, Melody Hall. With mixed feelings of anticipation and apprehension, he decides to try and reconnect. Almost immediately he experiences the rekindling of the relationship that had meant so much to him so many years before. However, simultaneously and almost equally unexpected, Saul is suddenly faced with some difficult career choices. This situation is almost identical in its implications as the first time he and Melody were together.
Associate Producer:
Melinda Hebbel
Best Boy Grip:
Nelson J.J. Flores
Boom Operator:
Sebastian De Lorey
Chris Sinn
Cinematography:
Mark Soderblom
Co-Producer:
Carrie Specht
Director:
Phillip Sherwood
Editor:
Jordan Kattenhorn
Phillip Sherwood
Executive Producer:
Randy Roberts
First Assistant Camera:
Erik Harty
Gaffer:
Tim Banker
Graphic Designer:
Rachel Van Allen
Grip:
Kevin Ekvall
Tim Finn
Oliver Lukacs
Mohit Soni
Key Hair Stylist:
Kate Cruz
Key Makeup Artist:
Miranda Roberts
Loader:
Spencer Sherwin
Makeup Designer:
Linda Husada
Music:
Ariel Quintana
Producer:
Stew Harty
Tania Mangum
Phillip Sherwood
Raquel Sherwood
Mark Soderblom
Production Designer:
Raquel Sherwood
Property Master:
Danilo Braga
Props:
Isaiah Leon
Priscila Mangum
Kirsten Soderblom
Script Supervisor:
Michelle Noland
Set Decoration:
Leroy Lima
Ariel Lynch
Sound Mixer:
Paul Galvez
Still Photographer:
Angel Hou
Tanya Musgrave
Writer:
Scotty Ray
Raquel Sherwood
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.