A work in constant progress (and occasional regress).
Release Date:
March 14, 2025
Original Title:
Checkmate
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 20
Additional Editor:
Ace Marimla
Art Direction:
Elaena Santos
Mica Devero
Assistant Camera:
Kian Degrano
Assistant Director:
Jeffrey Aboy
Anna Sophia Valdez
Assistant Production Design:
Nicholas Ragay
Assistant Production Manager:
Charles Claridad
April Jay Azura
John Vincent Padlan
Charmain Hilario
Christine Belenson
Associate Producer:
John Vincent Padlan
Boom Operator:
Johann Kevin Ko
Camera Operator:
Jericho Nathaniel Reyes
Casting Director:
Gabrielle Gonzales
Mary Joy Jalandoni
Colorist:
Anna Sophia Valdez
Creative Director:
Charles Manalastas
Director:
Alexie Pardo
Director of Photography:
John Cupino
Editor:
Justine Polanco
Lloyd Viernes Garciano
Gaffer:
Marco Diaz
Graphic Designer:
MJ Imperial
Patricia Sison
Chloe Kate Galapate
Anna Sophia Valdez
John Jerick Pastoral
Hair Assistant:
Danica Atienza
Hair Department Head:
Micah Eliza Magsombol
Key Grip:
Mars Dugan
Line Producer:
Alexis Fei Caceres
Location Manager:
Justine Crisostomo
Music Score Producer:
Jeremiah Garcia
Producer:
Jeffrey Aboy
Tricia Flores Saturnino
Production Assistant:
Vea Gandeza
Erilyn Taguifranca
Production Designer:
Nathalie Enriquez
Production Manager:
Tricia Flores Saturnino
Propmaker:
Elaena Santos
Public Relations:
King Robie Cubol
Publicist:
Lane Joricor Manalo
Danica Atienza
Rosella Amados
Script Consultant:
Elisha Rein De Vera
Emanuel Paler
Set Dresser:
Princess Tan
Christian Paycana
Acer Guirino
Sound Recordist:
Viena Marie Guyo
VFX Artist:
Francis Rome Delos Santos
Wardrobe Assistant:
Reign Jovelyn Tungco
Wardrobe Supervisor:
Jezra Joy Berme
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.