The Departed (2006) [R]

Release Date:
October 4, 2006

Original Title:
The Departed

Alternate Titles:
Agents troubles
Ha-Shtoolim
Infiltrados
Köstebek
Les infiltrés
Los Infiltrados
Los infiltrados
Parakit hoad faengtua koan chaopho
Հանգուցյալները
المغادرون
ディパーテッド
ディパーテッド:2006
无间行者
디파티드

Genres:
Crime | Drama | Thriller

Production Companies:
Initial Entertainment Group
Media Asia Films
Plan B Entertainment
Vertigo Entertainment
Warner Bros. Pictures

Production Countries:
Hong Kong | United States of America

Ratings / Certifications:
AR: 16  AU: MA15+  BE: 18  BR: 18  CA: 18A  CH: 16  CZ: 12  DE: 16  DK: 15  ES: 18  FI: K-15  FR: TP  GB: 18  GR: 16  HK: IIB  HU: 18  IE: 18  IN: A  IR: 18+  IS: 16  IT: T  JP: R-15   KR: 15  MX: C  MY: 18SG  NL: 16  NO: 15  NZ: 16  PH: R-13  PL: 18  PT: M/16  RO: I.C.-14  RU: 16+  SE: 15  SG: M18  TR: 18+  UA: 16  US: R 

Runtime: 151

Cops or criminals. When you’re facing a loaded gun, what’s the difference?

To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Supervisor:
Jeffrey Stern
Marissa Littlefield

Actor's Assistant:
Eric Weinstein

Art Department Coordinator:
Erik Knight

Art Direction:
Teresa Carriker-Thayer

Assistant Art Director:
Marion Kolsby
Robert Thayer
David Swayze

Assistant Director:
Joseph P. Reidy

Associate Producer:
Emma Tillinger Koskoff

Camera Operator:
Thomas Lappin
Bruce MacCallum
Andrew Rowlands

Casting:
Ellen Lewis

Construction Coordinator:
Theodore Suchecki
Joseph S. Alfieri

Costume Design:
Sandy Powell

Costume Supervisor:
Thomas Stokes
David Davenport

Dialect Coach:
Tim Monich

Dialogue Editor:
Jac Rubenstein
Philip Stockton

Digital Intermediate:
Devin Sterling

Director:
Martin Scorsese

Director of Photography:
Michael Ballhaus

Editor:
Thelma Schoonmaker

Electrician:
Timothy Healy

Executive Producer:
G. Mac Brown
Roy Lee
Doug Davison

Foley Artist:
Marko Costanzo

Foley Editor:
Jamie Baker
Kam Chan

Hairstylist:
Kay Georgiou
Kathryn Blondell
Joy Zapata
Johnny Villanueva

Location Manager:
Carla Raij

Makeup Artist:
John Caglione Jr.
Sian Grigg
Donald Mowat
Michael Germain
Christine Beveridge

Music Editor:
Jennifer Dunnington
Tass Filipos

Original Film Writer:
Alan Mak Siu-Fai
Felix Chong Man-Keung

Original Music Composer:
Howard Shore

Other:
Andrew Lau Wai-Keung
Alan Mak Siu-Fai

Post Production Supervisor:
Paul A. Levin

Producer:
Graham King
Brad Grey
Brad Pitt

Production Design:
Kristi Zea

Property Master:
Robert Griffon Jr.

Props:
Cathy Scorsese

Scenic Artist:
Lisa Shaftel

Screenplay:
William Monahan

Script Supervisor:
Martha Pinson

Second Unit Director:
G.A. Aguilar

Set Decoration:
Leslie E. Rollins
Susan Perlman

Sound Effects Editor:
Eugene Gearty
Allan Zaleski

Sound Re-Recording Mixer:
Tom Fleischman

Special Effects:
Brian Ricci
William 'Billy Jack' Jakielaszek

Special Effects Coordinator:
Steve Kirshoff

Steadicam Operator:
Andrew Rowlands

Still Photographer:
Andrew Cooper

Stunt Coordinator:
G.A. Aguilar

Stunt Driver:
Joseph Zamparelli

Stunts:
Michael Arthur
Chris Cenatiempo
Lauren Hayward
Peewee Piemonte
Janet Paparazzo
Blaise Corrigan
Jodi Michelle Pynn
George B. Colucci Jr.
Shawnna Thibodeau

Supervising Sound Editor:
Philip Stockton
Eugene Gearty

Transportation Coordinator:
Robert Martini

Unit Publicist:
Larry Kaplan

Visual Effects Producer:
Ron Ames

Visual Effects Supervisor:
Robert Legato
David Ebner

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.