A work in constant progress (and occasional regress).
Release Date:
October 4, 2006
Original Title:
The Departed
Alternate Titles:
Agents troubles
Ha-Shtoolim
Infiltrados
Köstebek
Les infiltrés
Los Infiltrados
Los infiltrados
Parakit hoad faengtua koan chaopho
Հանգուցյալները
المغادرون
ディパーテッド
ディパーテッド:2006
无间行者
디파티드
Genres:
Crime | Drama | Thriller
Production Companies:
Initial Entertainment Group
Media Asia Films
Plan B Entertainment
Vertigo Entertainment
Warner Bros. Pictures
Production Countries:
Hong Kong | United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BE: 18 BR: 18 CA: 18A CH: 16 CZ: 12 DE: 16 DK: 15 ES: 18 FI: K-15 FR: TP GB: 18 GR: 16 HK: IIB HU: 18 IE: 18 IN: A IR: 18+ IS: 16 IT: T JP: R-15 KR: 15 MX: C MY: 18SG NL: 16 NO: 15 NZ: 16 PH: R-13 PL: 18 PT: M/16 RO: I.C.-14 RU: 16+ SE: 15 SG: M18 TR: 18+ UA: 16 US: R
Runtime: 151
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
ADR Supervisor:
Jeffrey Stern
Marissa Littlefield
Actor's Assistant:
Eric Weinstein
Art Department Coordinator:
Erik Knight
Art Direction:
Teresa Carriker-Thayer
Assistant Art Director:
Marion Kolsby
Robert Thayer
David Swayze
Assistant Director:
Joseph P. Reidy
Associate Producer:
Emma Tillinger Koskoff
Camera Operator:
Thomas Lappin
Bruce MacCallum
Andrew Rowlands
Casting:
Ellen Lewis
Construction Coordinator:
Theodore Suchecki
Joseph S. Alfieri
Costume Design:
Sandy Powell
Costume Supervisor:
Thomas Stokes
David Davenport
Dialect Coach:
Tim Monich
Dialogue Editor:
Jac Rubenstein
Philip Stockton
Digital Intermediate:
Devin Sterling
Director:
Martin Scorsese
Director of Photography:
Michael Ballhaus
Editor:
Thelma Schoonmaker
Electrician:
Timothy Healy
Executive Producer:
G. Mac Brown
Roy Lee
Doug Davison
Foley Artist:
Marko Costanzo
Foley Editor:
Jamie Baker
Kam Chan
Hairstylist:
Kay Georgiou
Kathryn Blondell
Joy Zapata
Johnny Villanueva
Location Manager:
Carla Raij
Makeup Artist:
John Caglione Jr.
Sian Grigg
Donald Mowat
Michael Germain
Christine Beveridge
Music Editor:
Jennifer Dunnington
Tass Filipos
Original Film Writer:
Alan Mak Siu-Fai
Felix Chong Man-Keung
Original Music Composer:
Howard Shore
Other:
Andrew Lau Wai-Keung
Alan Mak Siu-Fai
Post Production Supervisor:
Paul A. Levin
Producer:
Graham King
Brad Grey
Brad Pitt
Production Design:
Kristi Zea
Property Master:
Robert Griffon Jr.
Props:
Cathy Scorsese
Scenic Artist:
Lisa Shaftel
Screenplay:
William Monahan
Script Supervisor:
Martha Pinson
Second Unit Director:
G.A. Aguilar
Set Decoration:
Leslie E. Rollins
Susan Perlman
Sound Effects Editor:
Eugene Gearty
Allan Zaleski
Sound Re-Recording Mixer:
Tom Fleischman
Special Effects:
Brian Ricci
William 'Billy Jack' Jakielaszek
Special Effects Coordinator:
Steve Kirshoff
Steadicam Operator:
Andrew Rowlands
Still Photographer:
Andrew Cooper
Stunt Coordinator:
G.A. Aguilar
Stunt Driver:
Joseph Zamparelli
Stunts:
Michael Arthur
Chris Cenatiempo
Lauren Hayward
Peewee Piemonte
Janet Paparazzo
Blaise Corrigan
Jodi Michelle Pynn
George B. Colucci Jr.
Shawnna Thibodeau
Supervising Sound Editor:
Philip Stockton
Eugene Gearty
Transportation Coordinator:
Robert Martini
Unit Publicist:
Larry Kaplan
Visual Effects Producer:
Ron Ames
Visual Effects Supervisor:
Robert Legato
David Ebner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.