A work in constant progress (and occasional regress).
Featuring:
Simon Verhoeven, Nina Hagen, Tony Boldi
Written by:
Elena Shatalova
Directed by:
Elena Shatalova
Release Date:
December 25, 2000
Original Title:
Василиса
Alternate Titles:
Vasilisa
Genres:
Adventure | Family | Fantasy
Production Companies:
Cosmopolitan Film Productions Co., Ltd.
Production Countries:
Germany | Russia
Ratings / Certifications:
N/A
After finding his immortal beloved (Vasilisa, who periodically assumes the form of a talking frog), Prince Alex sets out to free her from the curse. A timeless hero's journey ensues, stylized with a post-modern spin. The camera lilts and soars as in the greatest musicals, a thumping techno-bass score lends a club atmosphere to the world of the film, an anthropomorphic Giant Panda frolics with glee, and all the inhabitants of the kingdom speak in a dazed, over-emoted, word-by-single-word sluggishness. Think "The Princess Bride" meets Baz Luhrmann's "Romeo + Juliet."I saw this eye-popping film at the 2001 Sarasota Film Festival. I entered the theater without expectations, having chosen the film randomly. From shot one, my jaw dropped slack and my eyes waxed wide. "Vasilisa" is a gorgeously filmed, brilliantly scripted, boldly acted, confidently directed, lushly designed masterpiece of unseen cinema.Woe that it never found distribution! It didn't even appear on IMDb for years. The movie was produced in Russia (and, I believe, in Germany), but is entirely English-language. To any distributors or potential distributors out there: PICK UP THIS FILM. (And give me a finder's fee!)
Casting Director:
Natalya Krimenskaya
Director:
Elena Shatalova
Director of Photography:
Mariya Solovyova
Editor:
Hans Funck
Music:
Klaus Doldinger
Producer:
Boris Seyfarth
Sound Editor:
Laura Harris Atkinson
Writer:
Elena Shatalova
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.