A work in constant progress (and occasional regress).
Release Date:
January 1, 2021
Original Title:
Inside the Daily Life of a Live Streaming Star in China
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 13
Over 2020, as Covid-19 has severely limited our ability to interact with the world beyond our front door, livestreams have helped transport us to places we couldn’t visit, people we couldn’t see and events we couldn’t attend. In China, live streaming services command an audience of nearly 560 million, with streamers broadcasting to devoted followers who tune in every night. Successful live streamers can earn thousands of dollars each month in direct donations from fans, and those at the very top earn millions from brand sponsorships and major contracts. In the short documentary, we enter two agencies that scout promising newcomers and mold them into high-earning stars. But what’s it like working for a company that engineers every aspect of your life — and then requires you to livestream it all day?
Assistant Director:
Sarah Tobing
Travis Atria
Cinematography:
Mathias Nyholm Schmidt
Color Grading:
Nurali Kuskov
Cameo Film
Development Producer:
Mathilde Schytz Marvit
Director:
David Borenstein
Editor:
David Borenstein
Ogi Curcic
Music Editor:
Jason Prover
Travis Atria
Producer:
Jesper Jack
David Borenstein
Sound Designer:
Peter Schultz
FilmTone
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.