A work in constant progress (and occasional regress).
Release Date:
November 1, 2012
Original Title:
A Life in the Days of Mary
Genres:
Drama
Production Companies:
Mad Mummer Media
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 17
"A Life In The Days Of Mary" tells the life story of Young Mary, a Newfoundland outport girl, in seventeen-minutes. It starts with her childhood abuse at the hands of a powerful man in her community and follows her life's journey until her death as a very happy, very old woman.
Best Boy Electric:
Tommy Humphries
Best Boy Grip:
Stephen McCarthy
Boom Operator:
Mark Neary
Camera Trainee:
Sid Collins
Catering:
Tony Butt
Colorist:
Steve Cook
Craft Service:
Steven Berard Gosse
Data Management Technician:
Dave Cox
Director:
Frank Barry
Director of Photography:
Scott McClellan
Editor:
Lyly Fortin
First Assistant Camera:
Mark O'Neill
First Assistant Director:
Justin Simms
Foley Artist:
Hilary Thomson
Gaffer:
Andrew Best
Generator Operator:
Tim Murphy
Grip:
Micah Martin
Key Grip:
Jay Andrews
Line Producer:
Jill Knox-Gosse
Makeup & Hair:
Daphne Stockley
Music:
Jason Paul Hayward
Online Editor:
Steve Cook
Producer:
Brad Gover
Production Design:
Jenn Brown
Props:
Andy Pyne
Script Supervisor:
Natalia Hennelly
Second Assistant Camera:
Jay Hamel
Second Assistant Director:
Walter Lawlor
Set Decoration:
Glenn Barrett
Mark Northcott
Sound Editor:
Matthew Thomson
Sound Mixer:
Phillip Cairns
Harvey Hyslop
Still Photographer:
Rhonda Pelly
Third Assistant Director:
Mark Hoffe
Unit Manager:
G. Patrick Condon
VFX Artist:
Linda Snelgrove
Wardrobe Assistant:
Heather Power
Heidi Wagner
Wardrobe Designer:
Kelly Warren
Charlotte Reid
Writer:
Frank Barry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.