Billions Club Live with The Weeknd: A Concert Film (2025) [NR]

Release Date:
January 7, 2025

Original Title:
Billions Club Live with The Weeknd: A Concert Film

Genres:
Music

Production Companies:
OBB Pictures

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 48

Billions Club: The Series

In this first-ever Billions Club Live concert film, The Weeknd delivers an unforgettable one-night-only performance, celebrating his record-breaking 25 tracks with over 1 billion streams each on Spotify — more than any other artist. Captured in stunning detail, the film features electrifying performances of his greatest hits, offering fans a front-row seat to this historic milestone. This iconic event is a celebration of The Weeknd’s unparalleled career and deep connection to music fans worldwide.

Additional information:

The Search Form


Camera Operator:
Austin Straub

Co-Executive Producer:
Aaron Cooke

Consulting Producer:
Austin Prahl

Director:
Micah Bickham

Director of Photography:
Chase Smith

Editor:
Angus Emmerson

Executive In Charge Of Production:
Saj Patel

Executive Producer:
Michael D. Ratner
Scott Ratner
Kfir Goldberg
Lana Womack
Glenn Stickley
Raquel Dominguez

Production Manager:
Kirsten 'Kiki' Judson
Remona Qutar

Script Supervisor:
Joe McCarthy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.