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Tran·si·tions (2009) [N/A]

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Release Date:
October 10, 2009

Original Title:
Tran·si·tions

Genres:
Drama

Ratings / Certifications:
 N/A

Runtime: 16

4 lives. 1 evening. the ties that bind.

Overview from TheMovieDB

What connects us as people? A shared space. A common interest. A basic drive. Blood. In our teeming city of millions, lives criss-cross in ways both expected and unexpected. The bag lady. The straphanger. The summer intern. The single mom. In a single evening, these familiar characters discover just what it is that connect one to the other, and along the way confront their own deep secrets. transitions is a snapshot of our modern-day lives, played out on the ultimate world stage.

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Additional information:

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Performers

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Production

Art Direction:
Javier Martinez

Assistant Director:
Natalie Rose

Assistant Makeup Artist:
Chrysanne Maher

Boom Operator:
Bimo Setiawan Santoso

Camera Production Assistant:
Vitaly Bokser

Casting Director:
Amy Gossels

Cinematography:
Andrew Aiello

Director:
Mark Lee

Editor:
Alex Wilson

Gaffer:
Omar Addasi

Key Grip:
Gabriel Gonzalez

Location Manager:
Joshua Golde

Makeup Department Head:
Amy C. Boyd

Producer:
Kim Jackson

Production Designer:
Alexis Martinez

Production Manager:
Meghan Mahoney

Second Assistant Director:
Jessica Levin

Sound Mixer:
Allison Jackson

Writer:
Mark Lee

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.