The Fuggers in the Silver Empire (2021) [N/A]

Release Date:
October 26, 2021

Original Title:
Im Silberreich – Das Netz der Fugger

Alternate Titles:
Im Silberreich – Das Netz der Fugger

Genres:
Documentary

Production Companies:
3sat
ORF
ORF Enterprise
Produktion West

Production Countries:
Austria

Ratings / Certifications:
AT: AA 

Runtime: 90

Around 1520, Schwaz and the silver region became the Silver Empire, the Silicon Valley of Europe. Not only the mining of silver and copper, but also the associated “industry” characterize the villages and hamlets of the region. With the arrival of the Fuggers, the Tyrolean trades disappear. Power, powerlessness, wealth and poverty - new times dawn in the “silver empire”. In 1521, the Fuggers take over the exploitation of silver mining in Schwaz/Tyrol. This marks the beginning of a new European era. Schwaz silver is used to buy empires, finance wars and set progress in motion. But it is not only the “silver town” of Schwaz, but also the entire region around Schwaz along the Lower Inn Valley, as well as other regions of Europe, that provide innovations with silver and also the lesser-known copper mining.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Director:
Ute Heidorn

Assistant Editor:
Wolfgang Riedl

Camera Operator:
Stefan Krössbacher

Commissioning Editor:
Henriette Maslo

Costume Design:
Hilde Fuchs
Kornelia Koitz

Director:
Anita Lackenberger

Director of Photography:
Gerhard Mader

Editor:
Gerhard Mader

Executive In Charge Of Production:
Verena Wechselberger

Makeup Artist:
Rosi Brückler

Music:
Daniel Huber

Producer:
Petra Gruber
Eva Schindlauer

Production Design:
Philipp Walser

Production Manager:
Thomas Gallhuber

Second Unit Director:
Ute Heidorn

Sound:
Wolfgang Riedl

Writer:
Anita Lackenberger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.