A work in constant progress (and occasional regress).
Release Date:
February 2, 2023
Original Title:
A Mon Seul Désir
Production Companies:
Iconoclast
Léger Production
Ratings / Certifications:
N/A
Runtime: 4
As part of its contemporary programs, the Louvre has invited twenty young creative figures to present their take on the museum in the form of a 3:30 min film. The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before became a museum. These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre. The first film was conceived by painter Ariana Papademetropoulos and is titled Mon Seul Désir (My Sole Desire). The artist herself appears in a dream: the Salle des États and the Grande Galerie become a dreamscape – a dreamscape that is the museum itself.
Costumer:
Omaima Salem
Director:
Ariana Papademetropoulos
Sam Kristofski
Director of Photography:
André Chemetoff
Hairstylist:
Olivier Noraz
Guilaine Tortereau
Makeup Artist:
Helene Vasnier
Music:
Gaspard Augé
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.