A work in constant progress (and occasional regress).
Release Date:
October 31, 2016
Original Title:
L'insonne ouverture
Genres:
Crime | Mystery | Thriller
Production Companies:
Mescalito Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 43
Desdemona, a troubled DJ, hosts a late-night radio show called “L'insonne”. Her listeners are often strange creatures of the night who share their stories and fears. This time, however, she receives a call from Luca, a child in a hospital room. Desdemona senses the shadow of worry in his voice, and her instinct is to investigate, because sometimes even a whisper can hide a terrifying case.
Assistant Art Director:
Francesco Ciccimarra
Assistant Camera:
Vito Calabrese
Assistant Director:
Claudio Bandelli
Giuliano Braga
Rosso R. Fiorentino
Federica Forcesi
Assistant Production Manager:
Marta Bragantini
Best Boy Grip:
Luca Scassa
Roberto Tommolillo
Cinematography:
Niccolò Palomba
Colorist:
Claudio Del Bravo
Coordinating Producer:
Primo De Santis
Costume Assistant:
Silvia Morganti
Costumer:
Cristina Casani
Director:
Alessandro Giordani
Dresser:
Allegra Bernardoni
Editor:
Alessandro Giordani
Executive Producer:
Daniele Urciuolo
Gaffer:
Vincenzo Fiorini
Michele Edoardo Scotto D'Abbusco
Grip:
Marco Castellano
Stefano Celia
Makeup & Hair:
Lucia Pittalis
Makeup & Hair Assistant:
Serena Meriggioli
Mixing Engineer:
Massimo Filippini
Music:
Pasquale Citera
Online Editor:
Michele De Angelis
Producer:
Alessandro Giordani
Giorgio Beltrame
Producer's Assistant:
Lorenzo Foschi
Production Manager:
Deborah Gherardi
Erica Gherardi
Luca Tani
Production Supervisor:
Fabio Leonardi
Script Supervisor:
Martina Biagi
Letizia Corbi
Set Designer:
Roberto Papi
Set Dresser:
Valentina Di Geronimo
Sound Designer:
Massimo Filippini
Sound Editor:
Massimo Filippini
Sound Mixer:
Giuseppe Silvi
Sound Recordist:
Marco Antonelli
Title Designer:
Federico Imbesi
Visual Effects:
Simon Mazzamuto
Writer:
Giuseppe Di Bernardo
Alessandro Giordani
Andrea J. Polidori
Anita Rivaroli
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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