A work in constant progress (and occasional regress).
Original Title:
The Fine Art of Misapprehension
Ratings / Certifications:
N/A
Runtime: 11
Upon her father's long-awaited return from London, Beatrice Hayward’s life is seemingly changed forever by a shock proposal. She must now grapple with losing her home, her sisters, and her chance to carve out the life she wants for herself. The Fine Art of Misapprehension is a witty and romantic journey into the life of a Regency woman while she deals with age-old questions of identity. The film is a lighthearted Austonian look into young adulthood, exploring timeless themes of family independence and love.
Assistant Director:
Lukas Neau
Assistant Production Design:
Sumi Chow
Ashley Lamson
Hayden Brown
Best Boy Grip:
Tanya Jaffe
Boom Operator:
Sahiba Dhillon
Camera Operator:
Dean Symonds
Kosuke 'Ko' Saito
Tejas Raghuram
Alex Wilson
Camera Production Assistant:
DJ Cooper
Colorist:
Kieran Armstrong
Director:
Noa Cohen
Director of Photography:
Kieran Armstrong
Editor:
Jason Wong
Executive Producer:
Dale Wallster
Suzanne Wallster
First Assistant Camera:
Joey Ren
Gaffer:
Durham Cribb
Grip:
Tyler DeMott
Ollie O'brien
Key Grip:
Maya Stanley
Makeup & Hair:
Annabelle Gladding
Music:
Wesly Bozman
Producer:
Paige Broman
Lukas Neau
Hannah Butler
Production Design:
Kate Satel
Script Supervisor:
Ava Coelho
Second Assistant Camera:
Rett Sundstrom
Sound Editor:
Aidan Lester
Steadicam Operator:
Bo-Yu Chen
Wardrobe Coordinator:
Hayden Brown
Writer:
Noa Cohen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.