Home

The Director's Chair (????) [N/A]

Original Title:
The Director's Chair

Ratings / Certifications:
 N/A

Overview from TheMovieDB

When an Emmy award winning grandfather moves in with his son's family, he must grapple with passing on the filmmaking torch to his granddaughter.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Boom Operator:
Raphael Dael

Casting Director:
William Bonnell

Colorist:
Samuel Boyar

Costumer:
Erin Tracey

Director:
Liliana Chomsky

Director of Photography:
Samuel Boyar

Editor:
Liliana Chomsky

First Assistant Camera:
Trevor M. Jones

First Assistant Director:
Dmitriy Usov

Gaffer:
Quinn McCain

Grip:
Emilio Garcia

Key Grip:
Simon Vidas

Music Editor:
Chris Tergesen

Music Score Producer:
Deana Kiner
Kevin Kiner
Sean Kiner

Producer:
Christopher Putlock
Jillian Caforio

Production Designer:
Sehaj Sethi

Script Supervisor:
Riley Comparetto

Second Assistant Camera:
Haley Powell

Sound:
Abby Greenberg

Storyboard Artist:
Taylor Skorupa

Unit Production Manager:
William Fischer

Visual Effects:
Alex Knudsen

Writer:
Liliana Chomsky

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.