A work in constant progress (and occasional regress).
Release Date:
January 10, 2025
Original Title:
Naktinis seansas
Alternate Titles:
Midnight Show
Genres:
Drama
Production Companies:
Film Jam
Production Countries:
Lithuania
Ratings / Certifications:
LT: N-13
Runtime: 110
Watchmaker stumbles into a mysterious cinema and is enraptured by the sight of movie star Lisa sleeping on the screen. His life changes. A girl he meets in the cinema begins leading him through the strange world of cinematic dreams.
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Art Direction:
Rytis Daraskevičius
Assistant Costume Designer:
Agnė Sudikaitė
Assistant Director:
Vakarė Zuozaitė
Assistant Production Manager:
Modesta Basyte
Assistant Property Master:
Justina Vanagaitė
Assistant Set Designer:
Agne Ragelyte
Casting:
Rimantė Puipienė
Costume Designer:
Rūta Lečaitė
Costumer:
Urtė Milda Širvinskaitė
Decorator:
Arūnas Liepinaitis
Director:
Algimantas Puipa
Director of Photography:
Linas Žiūra
Editor:
Ričardas Matačius
First Assistant Camera:
Vasily Shramkov
First Assistant Director:
Janina Lapinskaitė
Focus Puller:
Jonas Rūkas
Graphic Designer:
Art Belikov
Location Assistant:
Agnė Giedrikienė
Location Manager:
Jurga Zitkute
Location Scout:
Viktorija Vaičiūtė
Makeup Artist:
Milda Gucevičienė
Makeup Designer:
Eglė Mikalauskaitė
Novel:
Jaroslav Melnyk
Original Music Composer:
Ričardas Matačius
Producer:
Stasys Baltakis
Kristijonas Puipa
Production Design:
Jurgita Gerdvilaitė
Production Manager:
Kristijonas Puipa
Property Master:
Rytis Daraskevičius
Screenplay:
Algimantas Puipa
Second Assistant Director:
Rimantė Puipienė
Set Designer:
Ona Kvintaité
Set Photographer:
Vigantas Ovadnevas
Sound:
Marius Blažys
Sound Assistant:
Kestutis Kedaitis
Jūratė Pakalnytė
Sound Designer:
Saulius Urbanavičius
Stunts:
Tomas Ereminas
Saulius Janavičius
Leonidas Kotikas
Translator:
Jonas Baltakis
Visual Effects:
Vytautas Kazlauskas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.