A work in constant progress (and occasional regress).
Release Date:
November 5, 2001
Original Title:
Liebeskrank
Genres:
TV Movie | Thriller
Production Companies:
Letterbox Filmproduktion
Studio Hamburg Filmproduktion
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 93
While searching for an ancient burial chamber in Cologne, Dr. Bea Valori has suppressed the fact that she is a very lonely romantic at heart. This seems to change when colleague Michael Burger introduces her to the charismatic Jürgen Wiedener. He teaches minnesong at the university and has very specific ideas about a life for two. At first, Bea feels flattered by Jürgen's declarations of love. But then his courtship becomes more and more insistent. He is prepared to give everything for Bea. Even if it costs him his life...
Assistant Costume Designer:
Sonia Bouabsa
Assistant Production Manager:
Julia Büsser
Assistant Property Master:
Slawomir Zajac
Boom Operator:
Hadon Install
Construction Foreman:
Stefan Rohner
Continuity:
Frauke Thielecke
Costume Designer:
Gurli Thermann
Costumer:
Anja Kemper
Director:
Olaf Kreinsen
Director of Photography:
Achim Poulheim
Driver:
Sebastian Von Merveldt
Editor:
Jochen Ketschau
Alicia Remirez
Executive Producer:
Dirk R. Düwel
First Assistant Director:
Beate Radamm
First Assistant Director Trainee:
Janina Junk-Illigens
Gaffer:
Georg Nonnenmacher
Key Grip:
Markus Nuss
Key Hair Stylist:
Christina Paul
Key Makeup Artist:
Christina Paul
Lighting Technician:
Markus Wichmann
Line Producer:
Sybille Hashagen
Location Manager:
Torsten Junker
Makeup & Hair:
Heike Ersfeld
Music:
Jochen Schmidt-Hambrock
Post Production Supervisor:
Ulrike Freyer
Producer:
Susanne Ottersbach
Production Assistant:
Missy Ramsey
Production Design:
Peter Robert Schwab
Production Manager:
Jeffrey Budd
Sculptor:
Marion Seul
Anke Hammer
Sound:
Gregor Voigt
Sound Mixer:
Christoph Metke
Standby Property Master:
Ingo Pfennig
Unit Manager:
Jörn Kasbohm
Lars Haagen
Writer:
Guido Marc Pruys
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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