A work in constant progress (and occasional regress).
Release Date:
July 16, 2025
Original Title:
Emprise numérique, 5 femmes contre les Big 5
Genres:
Documentary | Drama
Production Companies:
BABEL Doc
France Télévisions
Together Media
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 80
American states and parents in both Europe and the United States are engaging in a joint fight against digital giants to ensure their responsibility in the addiction of young people to screens and social media is recognized. Among them, five women have chosen to disrupt their daily lives: Alexis, Kathleen, Elisabet, Laure, and Socheata.
Assistant Director:
Caroline Le Hello
Assistant Picture Editor:
Anaël Dang
Christophe Astruc
Pedro Brito Da Fonseca
Daphné Quintin-Durand
Director:
Elisa Jadot
Documentation & Support:
Julie Copeland
Jessica Hébert
Editor:
Stanislas Gazelle
Graphic Designer:
Guillaume Colas
Legal Services:
Virginie Marquet
Music:
Cézame Music Agency
Post Production Assistant:
Victor Bonnard
Tizia Benmchich-Lanardonne
Mathieu Durand
Producer:
Stéphanie Lebrun
Nathalie Darrigrand
Production Assistant:
Marina Gonzaga
Laure Koenig
Bruno Kowalski
Production Director:
Delphine Muller-Leroy
Sound:
Pierre-Yves Caron
François Devin
Lilian Matigot
Pablo Gregorio Venegas
Juan Antequera González
Sound Mixer:
Marc Taillardat
Aurélien Bony
Translator:
Mila Branco
Maria Halip
Laura Boronat
Laura Marcó Castellà
Writer:
Elisa Jadot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.