A work in constant progress (and occasional regress).
Original Title:
Here’s To Getting Better
Genres:
Drama
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 13
Mochi - a recently fired socially awkward 25 year old - deals with the isolation that comes with a mental health decline, supported exclusively and wholeheartedly by their loving dog Miso.
Assistant Editor:
Madison McLaren
Cinematography:
Julie Messner
Director:
Nika Mhlanga
Driver:
Liem Mackenzie
Editor:
Carol Allende Rodriguez
First Assistant Camera:
Hannah Cohen
First Assistant Director:
Madison McLaren
Focus Puller:
Ferny Solis Cartes
Gaffer:
Wrynn Geswin
Makeup & Hair:
Holly Enns
Producer:
Sebastien Mean
Production Assistant:
Aliya Aziz
Score Engineer:
Federico Morales
Second Assistant Camera:
Ferny Solis Cartes
Set Designer:
Corinne Abouem
Sound Mixer:
Federico Morales
Sound Recordist:
Jack Anderson
Wardrobe Supervisor:
Simone Aslan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.