A work in constant progress (and occasional regress).
Release Date:
March 5, 1962
Original Title:
Ventolera
Genres:
Drama | Music
Production Companies:
Suevia Films
Tarfe Films
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 95
Cristina, a beautiful woman, lives in love with her husband Manuel, who believes the most handsome, charming and, above all, the best husband in the world. Unexpectedly, Manuel dies and, thereafter, Cristina not live but to idealize her husband, going so far as to pay a reasonable service. Until a jilted suitor puts aware of the true personality of her husband. Cristina's reaction was swift, gets a 'gale' and women becomes more attractive and desired of Sevilla.
Assistant Camera:
Luis Peña
Assistant Director:
José Castanyer
Assistant Editor:
José Luis Matesanz
Assistant Makeup Artist:
Ángel F. Martínez
Assistant Sound Engineer:
Ángel González
Camera Operator:
Ricardo Navarrete
Construction Coordinator:
Francisco Rodríguez Asensio
Costume Design:
Pedro Rodríguez
Director:
Luis Marquina
Director of Photography:
Antonio L. Ballesteros
Editor:
Julio Peña
Hairstylist:
Esther Martín
Line Producer:
Marciano De la Fuente Rodríguez
Makeup Artist:
José Luis Ruiz
Music:
Juan Quintero
Musician:
Rafael Nogales
Felix De Utrera
Producer:
Cesáreo González
Production Assistant:
Marino Méndez
Francisco Martínez
Production Design:
Enrique Alarcón
Production Manager:
José María Ramos
Property Master:
Antonio Luna
Joaquín Serrano
Ricardo Mengíbar
Jesús Mateos
Script Supervisor:
Manuel San Román
Set Decoration:
Enrique Alarcón
Set Designer:
Eduardo Marquina
Sound Engineer:
Antonio Alonso Ciller
Still Photographer:
Antonio Ibañez
Wardrobe Master:
Goya García
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.