A work in constant progress (and occasional regress).
Original Title:
No Rule is Our Rule
Ratings / Certifications:
N/A
Runtime: 76
This is a story of friendship between two independent female artists and the body memories each willingly carries. In January 2020, New York-based, interdisciplinary performing artist Eiko Otake arrived in Beijing to visit Wen Hui, a Chinese choreographer and filmmaker. Eight years apart, Eiko grew up in postwar Japan and Wen, during the Cultural Revolution in China. They planned to visit each other for a month to converse and collaborate. The surge of COVID-19 abruptly cut off Eiko’s visit and the pandemic made Wen’s visit to the USA impossible, but not the collaboration. Looking back on the video diaries they shot without a script, Eiko and Wen continued their dialogue on Zoom, sharing past works that form a deeper understanding of their circumstantial differences and characteristic similarities.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.