A work in constant progress (and occasional regress).
Release Date:
August 12, 2005
Original Title:
The Great Raid
Alternate Titles:
121 ตะลุยนรกมฤตยู
511绝地救兵
The Great Raid - Tag der Befreiung
Операция Спасение
卡巴纳图大营救
卡巴那图大营救
Genres:
Action | History | War
Production Companies:
Lawrence Bender Productions
Marty Katz Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ DE: 18 FR: 16 GB: 15 NL: 16 US: R
Runtime: 132
As World War II rages, the elite Sixth Ranger Battalion is given a mission of heroic proportions: push 30 miles behind enemy lines and liberate over 500 American prisoners of war.
ADR Editor:
Mark Gordon
Robert Troy
Gillian Johnson
Armorer:
Gideon Marshall
Art Department Coordinator:
Tricia McInally
Assistant Art Director:
Mandi Bialek-Wester
Associate Producer:
Mark Turnbull
Best Boy Electric:
Mark Glindeman
Book:
Hampton Sides
William B. Breuer
Boom Operator:
Rod Conder
Gary Dixon
Paul Linford
Camera Operator:
Peter McCaffrey
John Platt
Casting:
Bonnie Timmermann
Tom McSweeney
Maura Fay
Koko Maeda
Casting Assistant:
Jose Cabrera
Fiona McMaster
Samantha Strauss
Casting Associate:
Seth Yanklewitz
Julie Ysla
Chief Lighting Technician:
Michael Adcock
Co-Producer:
Tony Winley
Color Timer:
Dennis McNeill
Construction Coordinator:
Bernie Childs
Costume Coordinator:
Natasha Monaghan
Costume Design:
Lizzy Gardiner
Costume Supervisor:
Kerry Thompson
Dialogue Coach:
Bruce Shapiro
Dialogue Editor:
Mark Gordon
Gillian Johnson
Robert Troy
Director:
John Dahl
Director of Photography:
Peter Menzies Jr.
Editor:
Pietro Scalia
Scott Chestnut
Executive In Charge Of Production:
Bob Osher
Executive Producer:
Jonathan Gordon
Bob Weinstein
Harvey Weinstein
Michelle Raimo Kouyate
First Assistant Director:
Mark Turnbull
First Assistant Editor:
Christein M. Goldstein
Hair Designer:
Vivien Mepham
Hairstylist:
Toni Ffrench
Anita Morgan
Maree McDonald
Chiara Tripodi
Nadia Cowell
Cheryl Williams
Anita Lowe
Vivienne MacGillicuddy
Key Grip:
Warren Grieef
Key Makeup Artist:
Vivien Mepham
Location Manager:
Jamie McLennan
Makeup Artist:
Toni Ffrench
Anita Morgan
Maree McDonald
Chiara Tripodi
Nadia Cowell
Cheryl Williams
Anita Lowe
Vivienne MacGillicuddy
Music Editor:
Johnny Caruso
Orchestrator:
Trevor Rabin
Gordon Goodwin
Original Music Composer:
Trevor Rabin
Post Production Supervisor:
Robert Hackl
Tricia Miles
Producer:
Lawrence Bender
Marty Katz
Production Accountant:
Deborah Sutherland
Production Coordinator:
Deanne Stratford
Production Design:
Bruno Rubeo
Property Master:
Bob Booker
Prosthetic Makeup Artist:
Jason Baird
Screenplay:
Carlo Bernard
Doug Miro
Script Researcher:
Laura Sevier
Cassandra Barbour
Script Supervisor:
Chris O'Connell
Pamela Willis
Second Assistant Director:
Guy Campbell
Set Decoration:
Rolland Pike
Set Dresser:
Justine Dunn
Jodie Allen
Andrew Grose
Sound Effects Designer:
Miguel Rivera
Brian W. Jennings
Charles Maynes
Keith Bilderbeck
Angelo Palazzo
Sound Effects Editor:
Miguel Rivera
Brian W. Jennings
Charles Maynes
Keith Bilderbeck
Angelo Palazzo
Sound Re-Recording Mixer:
David E. Fluhr
Christian P. Minkler
Special Effects Coordinator:
Gabriella Nagy
Special Effects Supervisor:
Brian Cox
Steadicam Operator:
Peter McCaffrey
Still Photographer:
Pierre Vinet
Stunt Coordinator:
Chris Anderson
Supervising ADR Editor:
Val Kuklowsky
Supervising Art Director:
Bill Booth
Supervising Sound Editor:
Jon Johnson
Bruce Stubblefield
Third Assistant Director:
Tim Hughes
Nick McKinnon
Unit Manager:
Brendon 'Moose' Boyd
Unit Production Manager:
Sue MacKay
Unit Publicist:
Emma Cooper
Visual Effects Producer:
Marusha Kushniruk Xeros
Visual Effects Supervisor:
Chris Godfrey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.