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Transience (2023) [N/A]

Release Date:
January 1, 2023

Original Title:
Transience

Genres:
Drama

Production Companies:
Present Space

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 2

Overview from TheMovieDB

Transience is about a love that blooms quickly and burns brightly. How it stirs the soul and quickens the heart. Like a flame, it flickers and dances, illuminating the darkness, warming the cold. It is a love that knows no bounds, that lives and dies in the same breath. Without games or pretense you lay yourself bare in hope of acceptance. A journey of exploration and discovery. And yet, as quickly as it begins, a transient romance can end just as suddenly. An opening act for the melancholy symphony. But even in its brevity, it can leave a lasting impact on our souls. We become both student and teacher, we hold and feel held, we lean fearlessly into time’s consequence. Let us reel in its beauty and it struggles, its joys and its pains. As we somersault through life, let’s not forget that to lose a connection it must first be found.

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Performers

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Production

Cinematography:
Lucas Fiederling

Director:
Adam Munnings

Editor:
Andrew Holmes

Producer:
Sarah Hawkins

Set Designer:
Paulina Radic

Sound Designer:
Adam Rajab

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.