A work in constant progress (and occasional regress).
Release Date:
January 1, 1984
Original Title:
The Force Behind Its Movement Stiftung
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 17
‘The Force Behind its Movement’ is structured in four parts, corresponding with the cardinal directions – West, South, East and North. These parts/directions have in common that they appear through or because of the wind. The work opens with the text: ‘We only see the fluttering of the flag. The force behind its movement remains invisible.’ Next, the camera, attached to a wind vane, moves around chaotically. Curtains are waving softly, affecting our view of a block of flats. The camera determines our view, literally, by alternatively focusing and moving out of focus. Then the curtain flaps in front of a screen, which shows Marilyn Monroe wearing a number of tulle shawls. This cover aimed at revealing more than it covered. But the tulle curtains prove exactly the opposite, because the viewer in fact reverts to being a voyeur again.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.