A work in constant progress (and occasional regress).
Release Date:
January 1, 2022
Original Title:
Men at work
Ratings / Certifications:
N/A
Runtime: 6
Cinema has always had a special interest in factory workers. In fact the first Lumière brothers film “Workers Leaving the Factory” from 1895 has often been credited as the first motion picture ever made. In the 20th century also many experimental filmmakers depicted the rat race of modern life in their own way. Such films include for example “Manhatta” (1921) by Paul Strand & Charles Sheeler, “By Night with Torch and Spear” (1940s) by Joseph Cornell and “Necrology” (1969-1970) by Standish Lavender. The films “Men at Work” and “Smokestacks, Below” continue the same tradition. These films also form a two-film series describing factory work as they have been compiled from the same found footage material. When screened together they demonstrate aptly the vast possibilities of found footage filmmaking. However, the films can be screened individually as well.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.