A work in constant progress (and occasional regress).
Featuring:
Frances McDormand, Alessandro Nivola, Christian Bale
Written by:
Lisa Cholodenko
Directed by:
Lisa Cholodenko
Release Date:
March 7, 2003
Original Title:
Laurel Canyon
Alternate Titles:
月桂谷
Genres:
Drama | Romance
Production Companies:
Antidote Films
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 CA: 18A CH: 18 CZ: 15+ DE: 12 US: R
Runtime: 103
When an uptight young man and his fiancée move into his libertine mother's house, the resulting clash of life attitudes shakes everyone up.
Newly graduated psychiatrist Sam and his fiancee Alex move to Los Angeles for Sam's residency and into Sam's mother's house in upscale Laurel Canyon. Only problem is, Sam's mother is still there, supposedly finishing up a record that she's producing for the band of her new boy toy, Ian. She seems more interested in smoking pot and drinking than actually working though. Alex doesn't mind but Sam is quite upset. Alex starts off focused on her work (finishing a dissertation on genomics), but is soon distracted by the rock-'n-roll lifestyle going on around her. Meanwhile, Sam is equally distracted by beautiful Israeli intern Sara.
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Internet Movie Database | 6.4/10 |
---|---|
Rotten Tomatoes | 68% |
Metacritic | 61/100 |
Awards Won: | 2 wins & 6 nominations total |
Art Department Coordinator:
Jean B. Kliever
Art Direction:
Stephanie Gilliam
Assistant Art Director:
Canada Johanna Gordon
Assistant Costume Designer:
Peggy Schnitzer
Assistant Location Manager:
Greg Kappy
Assistant Property Master:
Chuck Askerneese
Assistant Set Decoration:
Robert L. Stover
Associate Editor:
Hilary Schroeder
Camera Operator:
Mitch Dubin
Casting:
Deborah Aquila
Tricia Wood
Chief Lighting Technician:
Cory Geryak
Construction Coordinator:
Peter Croyle
Costume Design:
Cindy Evans
Costume Supervisor:
Deborah Myles Davis
Director:
Lisa Cholodenko
Director of Photography:
Wally Pfister
Editor:
Amy E. Duddleston
Executive Producer:
Scott Ferguson
First Assistant Director:
David McGiffert
Hair Department Head:
Voni Hinkle
Key Grip:
Casey P. Jones
Key Makeup Artist:
Melanie Hughes
Line Producer:
Dara Weintraub
Location Manager:
Jim Maceo
Makeup Artist:
Ben Nye Jr.
Original Music Composer:
Craig Wedren
Post-Production Manager:
Beau J. Genot
Producer:
David McGiffert
Susan A. Stover
Jeffrey Kusama-Hinte
Production Accountant:
April A. Janow
Production Coordinator:
Tamara Allen
Production Design:
Catherine Hardwicke
Production Sound Mixer:
Steve R. Nelson
Production Supervisor:
James R. Maceo
Property Master:
Mychael Bates
Screenplay:
Lisa Cholodenko
Script Supervisor:
Heather Cappiello
Second Assistant Director:
Stephen E. Hagen
Set Decoration:
Gene Serdena
Sound Designer:
Frank Gaeta
Special Effects Coordinator:
Larry Fioritto
Special Effects Technician:
Virgil Sanchez
Stunt Coordinator:
Buddy Joe Hooker
Stunt Double:
Mike Smith
Stunts:
Greg Harris
Chad Randall
Ron Stein
Norman Howell
Mike Smith
Chuck Picerni Jr.
Steve M. Davison
Jimmy N. Roberts
Elle Alexander
Debbie Evans
Katie Rowe
Diana R. Lupo
Dana Stein
Thanks:
Debbie Harry
Bruce Springsteen
Jennifer Cox
Iggy Pop
David Bowie
Unit Production Manager:
Scott Ferguson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.