A work in constant progress (and occasional regress).
Release Date:
August 22, 1983
Original Title:
Depeche Mode - Construction Time Again
Genres:
Music
Ratings / Certifications:
N/A
Runtime: 42
Depeche Mode's *Construction Time Again* in 5.1 surround sound transforms this industrial, politically charged album into an immersive sonic experience. Known for its pioneering use of sampling and heavy, metallic textures, tracks like *Everything Counts*, *Love, In Itself*, and *Two Minute Warning* envelop the listener with layers of percussive beats, synth riffs, and atmospheric effects. The surround mix reveals the album’s complex production details, highlighting the social commentary and experimental spirit that defined Depeche Mode’s early sound. This 5.1 mix breathes new life into *Construction Time Again*, inviting fans to experience its rhythmic energy and industrial edge as never before.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.