A work in constant progress (and occasional regress).
Release Date:
January 31, 2015
Original Title:
Uncanny
Alternate Titles:
Almost Human
Android
Esrarengiz
Genres:
Science Fiction | Thriller
Production Companies:
Accelerated Matter
Emergent Behavior
Shoreline Entertainment
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 16 GB: 15
Runtime: 91
For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits emergent behavior of anger and jealousy towards her, she finds herself increasingly entangled in a web of deception where no one’s motives are easily decipherable.
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ADR Mixer:
Nicholas Staub
Best Boy Electric:
Ed Joyce
Cameron Brainard
Boom Operator:
Mark Stockwell Jr.
Casting:
Michael Testa
Amine Louadni
Costume Design:
Sharon Sampson
Director:
Matthew Leutwyler
Director of Photography:
Ross Richardson
Editor:
Matthew Leutwyler
Electrician:
Casey Desmet
First Assistant Camera:
Vincent Patin
First Assistant Director:
Thomas Burke
Foley:
José E. Caldararo
Francisco Rizzi
Gaffer:
Ilan Levin
Graphic Designer:
Chirath Kodithuwakku
Grip:
Rory Walsh
Key Grip:
Craig Massie
Main Title Designer:
Andy Rath
Makeup Effects:
Jason Hamer
Music Supervisor:
Tom Villano
Original Music Composer:
Craig Richey
Producer:
Shahin Chandrasoma
Nora Oliver
Gabriel Geer
Sim Sarna
Production Design:
Eddie Matazzoni
Script Supervisor:
José Luis González
Second Assistant Camera:
Joseph DiBartolomeo
Set Decoration:
Sarah Stimpson
Sound Mixer:
Alexander Dawson
Sound Re-Recording Mixer:
Will Cone
Writer:
Shahin Chandrasoma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.