The Existence of Magic (2020) [N/A]

Gallery Unavailable

Release Date:
May 8, 2020

Original Title:
The Existence of Magic

Genres:
Drama

Production Companies:
Visionary Hag Productions

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 12

A New Age mother and her pragmatic daughter test the limits of their beliefs and their relationship on a quest to prove magic exists.

Additional information:

The Search Form


ADR Recordist:
Paul Steffler

Assistant Editor:
Aaron Elliott

Casting Assistant:
Irene Duma

Catering:
Dave Mullett

Cinematography:
Duncan De Young

Colorist:
Steve Cook

Costume Design:
Charlotte Reid

Craft Service:
Dave Mullett

Creator:
Isaac Blue
Martine Blue

Data Management Technician:
Aaron Elliott

Director:
Martine Blue

Editor:
Martine Blue

First Assistant Camera:
Herb Gibbons

First Assistant Director:
Shara Désirée King

Foley Artist:
Martine Blue

Gaffer:
Nathan David Bugler

Graphic Designer:
Duncan Major

Grip:
Sean Doran

Key Hairdresser:
Haleigh McLean

Legal Services:
Erin Best
Stewart McKelvey

Makeup Artist:
Haleigh McLean

Online Editor:
Steve Cook

Producer:
Martine Blue

Production Assistant:
Kevin Lundrigan

Production Consultant:
Gia Milani

Production Design:
Isaac Blue

Prop Designer:
Rio Milani

Property Master:
Isaac Blue

Second Assistant Camera:
Ben Price

Sound Designer:
Paul Steffler

Sound Recordist:
Diego Medina

Still Photographer:
David Downton

Stunt Coordinator:
Tom Dunne

Writer:
Martine Blue

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.