A work in constant progress (and occasional regress).
Release Date:
May 8, 2020
Original Title:
The Existence of Magic
Genres:
Drama
Production Companies:
Visionary Hag Productions
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 12
A New Age mother and her pragmatic daughter test the limits of their beliefs and their relationship on a quest to prove magic exists.
ADR Recordist:
Paul Steffler
Assistant Editor:
Aaron Elliott
Casting Assistant:
Irene Duma
Catering:
Dave Mullett
Cinematography:
Duncan De Young
Colorist:
Steve Cook
Costume Design:
Charlotte Reid
Craft Service:
Dave Mullett
Creator:
Isaac Blue
Martine Blue
Data Management Technician:
Aaron Elliott
Director:
Martine Blue
Editor:
Martine Blue
First Assistant Camera:
Herb Gibbons
First Assistant Director:
Shara Désirée King
Foley Artist:
Martine Blue
Gaffer:
Nathan David Bugler
Graphic Designer:
Duncan Major
Grip:
Sean Doran
Key Hairdresser:
Haleigh McLean
Legal Services:
Erin Best
Stewart McKelvey
Makeup Artist:
Haleigh McLean
Online Editor:
Steve Cook
Producer:
Martine Blue
Production Assistant:
Kevin Lundrigan
Production Consultant:
Gia Milani
Production Design:
Isaac Blue
Prop Designer:
Rio Milani
Property Master:
Isaac Blue
Second Assistant Camera:
Ben Price
Sound Designer:
Paul Steffler
Sound Recordist:
Diego Medina
Still Photographer:
David Downton
Stunt Coordinator:
Tom Dunne
Writer:
Martine Blue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.