A work in constant progress (and occasional regress).
Release Date:
October 31, 2024
Original Title:
O Palhaço de Cara Limpa
Genres:
Drama
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 80
Flávio, an actor going through a marital crisis, returns to his mother’s home while preparing a theatrical recital inspired by Gaston Bachelard’s book “The Poetics of Reverie”. Desperate for a stage to perform on, he will present the work on the streets of Recife as a poetic manifesto. The year is 2016, and Brazil is sinking into a political crisis, while the artist immerses himself in his art as the only utopia he has left. During this journey, we witness the affectionate —yet sometimes strained— relationship between mother and son, and Flávio’s moments of deep sadness, compounded by the impeachment process of Dilma Rousseff, which de watches on TV and will have severe consequences for everyone’s lives. A metonymy of Brazil’s recent history.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.