A work in constant progress (and occasional regress).
Release Date:
May 21, 1985
Original Title:
Rambo: First Blood Part II
Alternate Titles:
Rambo - krigaren 2
Rambo 2
Rambo 2: First Blood Part II
Rambo First Blood II
Rambo II
Rambo II - A Vingança do Herói
Rambo II - Der Auftrag
Rambo II - First Blood Part II
Rambo II - La vendetta
Rambo II: First Blood; Part II
Rambo: Acorralado Parte II
Rambo: Primera sangre parte 2
Rambo: İlk Qan 2
Рембо 2
ランボー/怒りの脱出:1985
第一滴血2
Genres:
Action | Adventure | Thriller | War
Production Companies:
Anabasis N.V.
Carolco Pictures
Estudios Churubusco Azteca
Production Countries:
Mexico | United States of America
Ratings / Certifications:
AU: M BR: 14 CA: R CZ: 15+ DE: 18 DK: 15 ES: 18 FI: K-18 FR: 18 GB: 15 GR: 15 IE: 15 IT: T JP: R15+ MX: C NL: 16 PT: M/12 SE: 15 SK: 15 US: R
Runtime: 96
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
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ADR Editor:
Juno J. Ellis
Aerial Director of Photography:
Peter MacDonald
Assistant Art Director:
Roy Barnes
Assistant Editor:
Florent Danny Retz
Hilarie Roope
Shelley Brown
Ron South
Assistant Sound Editor:
Michelle Pleis
Associate Producer:
Mel Dellar
Best Boy Electrician:
Fiorangelo Plocco
Best Boy Grip:
Bruno Colanzi
Camera Operator:
Franco Bruni
John Cardiff
Casting:
Rhonda Young
Jesús Guerrero
Casting Associate:
Donna Rosenstein
Characters:
David Morrell
Color Timer:
Robert Raring
Construction Coordinator:
Howard Hester
Costume Design:
Tom Bronson
Director:
George P. Cosmatos
Director of Photography:
Jack Cardiff
Dolby Consultant:
David W. Gray
Dolly Grip:
Salvador 'Apache' Serrano
Driver:
Donald Collis
Kendall A. Reed
Moe Blay
Vic Cuccia
Joe Dugan
Michael Stevenson
Bob Dewitt
Editor:
Frank E. Jimenez
Larry Bock
Mark Goldblatt
Gib Jaffe
Mark Helfrich
Executive Producer:
Mario Kassar
Andrew G. Vajna
First Assistant Camera:
Massimiliano Sano
First Assistant Director:
Fred Rollin
Foley Artist:
Margie O'Malley
Gaffer:
Luciano Leoni
Mariano García Cabrera
Greensman:
Dennis Butterworth
Hairstylist:
Kay Cole
Bertha Chiu
Key Grip:
Aldo Colanzi
Location Manager:
Juan Clemente Prosper
Makeup Artist:
Pamela S. Westmore
Elvira Oropeza
Makeup Designer:
Leonard Engelman
Music Editor:
Kenneth Hall
Negative Cutter:
Donah Bassett
Orchestrator:
Arthur Morton
Original Music Composer:
Jerry Goldsmith
Pilot:
Harry Hauss
Karl A. Wickman
Ross Reynolds
Producer:
Buzz Feitshans
Production Accountant:
Jim Davidson
Production Assistant:
Erick Feitshans
Production Controller:
Charlie Davidson
Production Design:
Bill Kenney
Production Manager:
Fred Rollin
Property Master:
Dennis J. Parrish
Martín Cárdenas Moreno
Screenplay:
Sylvester Stallone
James Cameron
Script Supervisor:
Jeanne Scott
Second Assistant Director:
Patrick Kinney
Set Decoration:
William Ladd Skinner
Sig Tingloff
Set Painter:
Ward Welton
Sound Editor:
Denise Horta
Michele Sharp
Sound Mixer:
Rob Young
Sound Re-Recording Mixer:
Donald O. Mitchell
Kevin O'Connell
Rick Kline
Special Effects:
Jay King
William Purcell
Cliff Wenger Jr.
Special Effects Coordinator:
Thomas L. Fisher
Still Photographer:
Dave Friedman
Story:
Kevin Jarre
Stunt Coordinator:
Diamond Farnsworth
Loren Janes
Stunt Double:
Mark De Alessandro
Stunts:
Phil Chong
Simone Boisseree
George Fisher
Harry Mok
Danny Costa
Brad Bovee
Joseph Hieu
Robert Jauregui
Eric Lee
John-Clay Scott
Jay King
Ben Scott
Bill M. Ryusaki
Mark De Alessandro
Mike Johnson
Steve Kelso
Anthony Cecere
Vernon Rieta
Jeff Imada
Supervising Sound Editor:
Fred J. Brown
Transportation Coordinator:
Terry Collis
Unit Publicist:
Ken Sylvia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.