A work in constant progress (and occasional regress).
Release Date:
February 21, 1996
Original Title:
Bottle Rocket
Alternate Titles:
(O)organiserad kriminalitet
Pura Adrenalina
瓶装火箭
Genres:
Comedy | Crime | Drama
Production Companies:
Boyle-Taylor Productions
Columbia Pictures
Gracie Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M NL: 12 SE: 11 US: R
Runtime: 91
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
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ADR Editor:
John Sisti
Art Direction:
Jerry Fleming
Assistant Chief Lighting Technician:
Curtis Failor
Assistant Editor:
Terry Hubbard
Holly Sachi
Assistant Location Manager:
John DeWees
Anthony Miller
Assistant Production Coordinator:
James C. Flores
Assistant Set Decoration:
Gretchen Goetz
Assistant Set Dresser:
James L. Avery Jr.
Eric Henshaw
Christian Kastner
Assistant Sound Editor:
Ali Derakhshan
Associate Producer:
Michael Lang
Andrew Wilson
Boom Operator:
Thom Dunaway
Camera Loader:
Sheridan Farrell
Casting:
Liz Keigley
Chief Lighting Technician:
Chris Morley
Co-Producer:
Ray Zimmerman
L.M. Kit Carson
Construction Coordinator:
Roy Metcalf
Costume Design:
Karen Patch
Costumer:
Cathie Filian
Dialogue Editor:
Harry Cheney
David M. Cowan
Devin Joseph
Director:
Wes Anderson
Director of Photography:
Robert D. Yeoman
Dolly Grip:
Michael Dunson
Editor:
David Moritz
Executive Producer:
Barbara Boyle
James L. Brooks
Richard Sakai
Michael Taylor
First Assistant Camera:
John Boccaccio
First Assistant Director:
Jim Goldthwait
First Assistant Editor:
Daniel R. Padgett
Foley Editor:
Allan Bromberg
Willy Allen
Foley Mixer:
David W. Alstadter
Carmine Rubino
Foley Supervisor:
Scott A. Tinsley
Grip:
Stephen Beasley
Hair Designer:
Nena Smarz
Key Grip:
Phill Fulton
Leadman:
Ross Dreyer
Location Manager:
Charles C. Chambers
Makeup Artist:
Manny Sarris Jr.
Makeup Designer:
Nena Smarz
Music Editor:
Kim Naves
Negative Cutter:
Theresa Repola Mohammed
Original Music Composer:
Mark Mothersbaugh
Producer:
Cynthia Hargrave
Polly Platt
Production Coordinator:
Lisa Matsukawa
Production Design:
David Wasco
Production Sound Mixer:
Stacy Brownrigg
Script Supervisor:
Scott Peterson
Second Assistant Camera:
Paul Janossy
Second Assistant Director:
Heather Kritzer
Second Second Assistant Director:
Jim Flowers
Set Decoration:
Sandy Reynolds-Wasco
Set Dresser:
McPherson O. Downs
Sound Effects Editor:
John M. Chalfant
Mark Larry
Rich Tavtigian
Steven Ticknor
Sound Re-Recording Mixer:
Robert Appere
Carlos Delarios
R. Russell Smith
Special Effects:
Randy E. Moore
Special Effects Supervisor:
Margaret Johnson
Steadicam Operator:
John Nuler
Ralph Watson
Still Photographer:
Deana Newcomb
Stunt Coordinator:
Russell Towery
Supervising Sound Editor:
Jeremy J. Gordon
Roxanne Jones McCarthy
Unit Production Manager:
Ray Zimmerman
Utility Sound:
Eddie Sykes
Wardrobe Assistant:
Tere Duncan
Wardrobe Supervisor:
Heather Mosher
Writer:
Owen Wilson
Wes Anderson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.